In November 1971, “Milestone” label released “In Pursuit of Blackness”, the 13th Joe Henderson album. It was recorded in September 1970 at “Lighthouse Café” in Hermosa Beach, May 1971, at “Decca Studios” in New York City, and was produced by Orrin Keepnews.
Personnel:
Joe Henderson – tenor saxophone
Woody Shaw – trumpet
Curtis Fuller – trombone
Pete Yellin – alto saxophone, flute, bass clarinet
In November 1972, “United Artists” label released the self-titled, third Don McLean album. It was recorded in 1972, at “Record Plant Studios” in New York City and was produced by Ed Freeman.
Personnel:
Don McLean – guitar, vocals
Warren Bernhardt – piano
Dick Hyman – piano
Neil Larsen – piano
Ed Trickett – hammered dulcimer
Don Brooks – harmonica
Howard “Buzz” Feiten – guitar
Tony Levin – bass
Bob Rothstein – bass, vocals
Russ Savakus – bass, violin, vocals
Chris Parker – drums
Ralph MacDonald – percussion, conga
George Ricci – cello
Ed Freeman – string arrangements
West Forty Fourth Street Rhythm and Noise Choir – chorus
Tom Flye, Dennis Ferrante, Ed Sprigg, Rod O’Brien – engineer
John Olson – cover photography
Track listing:
All tracks by Don McLean, except where noted.
Dreidel
Bronco Bill’s Lament
Oh, My What a Shame
If We Try
The More You Pay (The More It’s Worth)
Narcisissima
Falling Through Time
On the Amazon – Vivian Ellis, Clifford Grey, Greatrex Newman
On November 10, 2014, “Roswell” label released “Sonic Highways”, the eighth Foo Fighters studio album. It was recorded September 2013 – July 2014, at “Electrical Audio” in Chicago, “Inner Ear” in Arlington County, Virginia, “Southern Ground” in Nashville, “6A” in Austin, “Rancho De La Luna” in Joshua Tree, California, “Preservation Hall” in New Orleans, “Robert Lang” in Seattle, “The Magic Shop” in New York City, and was produced by Butch Vig, Dave Grohl, Pat Smear, Nate Mendel, Taylor Hwakins and Chris Shiflett.
Personnel:
Dave Grohl – lead and backing vocals, rhythm and acousticguitar, cymbals, EBow
Pat Smear – rhythm and lead guitar
Chris Shiflett – lead guitar, devil pickin’, backing vocals
Nate Mendel – bass guitar
Taylor Hawkins – drums, backing vocals
Joe Walsh – lead guitar
Gary Clark, Jr. – lead guitar
Rick Nielsen – baritone guitar
Rami Jaffee – clavinet; organ; mellotron; piano; Wurlitzer electric piano; backing vocals, space keys
On November 5, 1991, “Epic” label released “The Sky Is Crying”, the fifth and final Stevie Ray Vaughan studio album. It was recorded January 1984 – May 1989, at “Kiva Studios” in Memphis, Tennessee, “The Dallas Sound Lab” in Dallas, Texas, “The Power Station” in New York City, “Sound Castle Studios” in Los Angeles, and was produced by Jimmie Vaughan, Jim Gaines, Richard Mullen, Reese Wynans, Tommy Shannon, Chris Layton, Jim Capfer, Stevie Ray Vaughan
Personnel:
Stevie Ray Vaughan – vocals, guitars
Reese Wynans – keyboards
Tommy Shannon – bass guitar
Chris Layton – drums
Jim Gaines – engineer
Robe Eaton – engineer
Richard Mullen – engineer, mixing
Evan Rush – assistant engineer
Jeff Powell – assistant engineer
Ron Cote – assistant engineer
Danny Jones – assistant engineer
Bob Ludwig – mastering
Arnold Levine – art direction
Mark Burdett – art direction
William Snyder – photography
Stephanie Chernakowski – inside photography
Alan Messer – band photography
Mark Proct – production coordinator
Mark Rutledge – production coordinator
Roger Klein – production coordinator
Track listing:
Boot Hill – unknown author
The Sky Is Crying – Elmore James, Morris Levy, Clarence Lewis
Empty Arms – Stevie Ray Vaughan
Little Wing – Jimi Hendrix
Wham – Lonnie Mack
May I Have a Talk with You – Chester Burnette (Howlin’ Wolf)
In October 1967, “RCA Victor” label released “Silk & Soul”, the thirteenth Nina Simone studio album. It was recorded in 1967, at “RCA Studio B” in New York City, and was produced by Danny Davis.
Personnel:
Nina Simone – vocals, piano
Eric Gale – guitar
Rudy Stevenson – guitar
Ernie Hayes – piano, harpsichord
Gene Taylor – bass
Bernard Purdie – drums
Sammy Lowe – arrangements, conductor
Ray Hall – engineer
Track listing:
It Be’s That Way Sometime – Sam Waymon
The Look of Love – Burt Bacharach, Hal David
Go to Hell – Morris Balley Jr.
Love o’ Love – Andy Stroud
Cherish – Terry Kirkman
I Wish I Knew How It Would Feel to Be Free – Billy Taylor
In October 1967, “Ictus” label released the debut, self-titled and the only “Don Heckman–Ed Summerlin Improvisational Jazz Workshop (The)” album. It was recorded September 1965 – March 1966, in New York City.
On September 26, 2006, “ECM” label released “What Exit”, the fourth Mark Feldman studio album. It was recorded in 2005, at “Avatar Studios” in New York City, and was produced by Manfred Eicher.
On September 25, 1974, “Atlantic” label released “Nightmares…and Other Tales from the Vinyl Jungle”, the fifth J. Geils Band (The) album. It was recorded in 1973, at “Record Plant Studios” and “The Hit Factory” in New York City, and was produced by Bill Szymczyk.
Personnel:
Peter Wolf – lead vocals
J. Geils – guitar
Magic Dick – harmonica
Seth Justman – keyboards
Danny Klein – bass
Stephen Bladd – drums
George Jessel – spoken word vocals
Allan Blazek, Kevin Herron, Bill Szymczyk – engineer
Juke Joint Jimmy – assistance
Peter Himmelman – photography
Track listing:
All tracks by Peter Wolf and Seth Justman, except where noted.
On September 22, 1998, “Elektra” label released “The Proximity Effect”, the second Nada Surf studio album. It was recorded in 1998, at “Palindrome”, “Baby Monster Studios”, “Axis Studios”, “Electric Lady Studios”, “Avatar Studios”, “Ocean Way Recording”, “Shabbey Road Studios”, “Sony Music Studios” and “Room With A View” in New York City, and was produced by Fred Maher.
Personnel:
Matthew Caws – vocals, guitar
Daniel Lorca – vocals, bass
Ira Elliot – drums, backing vocals
Chris Fudurich – Wurlitzer piano, engineer
John Parthum, Lloyd Puckitt – engineer
Fred Maher – mixing
Jack-Joseph Puig – mixing
John Travis – mixing
Lloyd Puckitt – mixing
Bob Ludwig – mastering
Track listing:
All tracks by Matthew Caws, Daniel Lorca and Ira Elliot.
On September 21, 1993, “Warner Bros” label released “Wish”, the second Joshua Redman studio album. It was recorded in 1993, at “Power Station” and “Village Vanguard” in New York City, and was produced by Matt Pierson.
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