Tag Archives: Bill Evans

Bill Evans Trio: Portrait in Jazz

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In 1960, “Riverside” label released “Portrait in Jazz”, the sixth Bill Evans. It was recorded in December 1959, at “Reeves Sound Studios” in New York Studios, and was produced by Orrin Keepnews.

Personnel:

  • Bill Evans– piano
  • Scott LaFaro– bass
  • Paul Motian– drums
  • Jack Higgins – engineer
  • George Horn – mastering

Track listing:

  1. Come Rain or Come Shine – Harold Arlen, Johnny Mercer
  2. Autumn Leaves – Joseph Kosma, Jacques Prévert, Johnny Mercer
  3. Witchcraft – Cy Coleman, Carolyn Leigh
  4. When I Fall in Love – Victor Young, Edward Heyman
  5. Peri’s Scope – Bill Evans
  6. What Is This Thing Called Love? – Cole Porter
  7. Spring Is Here – Richard Rodgers, Lorenz Hart
  8. Someday My Prince Will Come – Frank Churchill, Larry Morey
  9. Blue in Green – Miles Davis, Bill Evans

The Bill Evans Trio: Moon Beams

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In December 1962, “Riverside” label released “Moon Beams”, the twelve Bill Evans album. It was recorded May – June 1962, at “Sound Makers Studio” in New York City, and was produced by Orrin Keepnews.

Personnel:

  • Bill Evans- piano
  • Chuck Israels- bass
  • Paul Motian- drums

Track listing:

  1. Re: Person I Knew – Bill Evans
  2. Polka Dots and Moonbeams – Johnny Burke, Jimmy Van Heusen
  3. I Fall in Love Too Easily – Sammy Cahn, Jule Styne
  4. Stairway to the Stars – Matty Malneck, Mitchell Parish
  5. If You Could See Me Now – Tadd Dameron
  6. It Might as Well Be Spring – Richard Rodgers, Oscar Hammerstein II
  7. In Love in Vain – Leo Robin, Jerome Kern
  8. Very Early – Bill Evans

John McLaughlin: Time Remembered: John McLaughlin Plays Bill Evans

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On November 9, 1993, “Verve” label released “Time Remembered: John McLaughlin Plays Bill Evans”, the ninth John McLaughlin solo album. It was recorded March 1993,  and was produced by John McLaughlin.

Personnel:

  • John McLaughlin– acoustic guitar, mixing supervision, linear notes
  • Alexandre Delfa – acoustic guitar
  • Pascal Rabatti – acoustic guitar
  • François Szonyi – acoustic guitar
  • Yan Maresz – acoustic bass
  • Paolo Bocchi – engineer assistant
  • Dario Bontempi, Max Costa – engineer
  • Charles French, Jean-Pierre Larcher – photography
  • Jean-Philippe Allard – executive producer

Track listing:

All tracks by Bill Evans; except where noted.

  1. Prologue
  2. Very Early (Homage to Bill Evans) – Bill Evans, John McLaughlin
  3. Only Child
  4. Waltz for Debby – Bill Evans, Gene Lees
  5. Homage – John McLaughlin
  6. My Bells
  7. Time Remembered
  8. Song for Helen
  9. Turn Out the Stars
  10. We Will Meet Again
  11. Epilogue

Bill Evans Trio: Explorations

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In March 1961, “Riverside” label released “Explorations”, the seventh Bill Evans album. It was recorded on February 2, 1961, in New York City, and was produced by Orrin Keepnews. “Explorations” won the Billboard Jazz Critics Best Piano LP poll for 1961.

Personnel:

  • Bill Evans- piano
  • Scott LaFaro- bass
  • Paul Motian– drums
  • Bill Stoddard – engineer
  • Shigeo Miyamoto – mastering

Track listing:

  1. Israel – John Carisi
  2. Haunted Heart – Arthur Schwartz, Howard Dietz
  3. Beautiful Love” (take 2) – Wayne King, Egbert Van Alstyne, Victor Young, Haven Gillespie
  4. Elsa – Earl Zindars
  5. Nardis – Miles Davis
  6. How Deep Is the Ocean? – Irving Berlin
  7. I Wish I Knew – Harry Warren, Mack Gordon
  8. Sweet and Lovely – Gus Arnheim, Jules LeMare, Harry Tobias

Bill Evans: Everybody Digs Bill Evans

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In March 1959, “Riverside” label released “Everybody Digs Bill Evans”, the third Bill Evans studio album. It was recorded on December 15, 1958, at “Reeves Sound Studios” in New York City, and was produced by Orrin Keepnews.

Personnel:

  • Bill Evans – piano
  • Sam Jones – bass
  • Philly Joe Jones – drums

Track listing:

  1. Minority – Gigi Gryce
  2. Young and Foolish – Albert Hague, Arnold B. Horwitt
  3. Lucky to Be Me – Leonard Bernstein, Betty Comden, Adolph Green
  4. Night and Day – Cole Porter
  5. Tenderly – Walter Gross
  6. Peace Piece – Bill Evans
  7. What Is There to Say? – Vernon Duke, Yip Harburg
  8. Oleo – Sonny Rollins
  9. Epilogue – Bill Evans

Personnel:

  • Bill Evans- piano
  • Sam Jones- bass
  • Philly Joe Jones- drums

Bill Evans: New Jazz Conceptions

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In February 1957, “Riverside” label released “New Jazz Conceptions”, the debut Bill Evans album as a leader.  September 18 and 27, 1956, in New York City, and was produced by Bill Grauer and Orrin Keepnews.

Personnel:

  • Bill Evans- piano
  • Teddy Kotick- bass
  • Paul Motian– drums
  • Jack Higgins – engineer
  • Tamaki Beck – mastering
  • Fran Scott – design
  • Hank Parker – photography
  • Orrin Keepnews – liner notes

Track listing:

  1. I Love You – Cole Porter
  2. Five – Bill Evans
  3. I Got It Bad (And That Ain’t Good) – Duke Ellington, Paul Francis Webster
  4. Conception – George Shearing
  5. Easy Living – Leo Robin, Ralph Rainger
  6. Displacement – Bill Evans
  7. Speak Low – Kurt Weill, Ogden Nash
  8. Waltz for Debby – Bill Evans, Gene Lees
  9. Our Delight – Tadd Dameron
  10. My Romance – Richard Rodgers, Lorenz Hart
  11. No Cover, No Minimum

Miles Davis: The Man With the Horn

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In July 1981, “Columbia” label released “The Man with the Horn”, album by Miles Davis. It was recorded May 1980 – May 1981, at “Columbia Studios” in New York City, and was produced by Teo Macero.

Personnel:

  • Miles Davis – trumpet
  • Bill Evans- soprano saxophone
  • Barry Finnerty- guitar
  • Mike Stern- guitar
  • Marcus Miller- bass
  • Al Foster- drums
  • Sammy Figueroa – percussion
  • Stanley Tonkel – engineer
  • Don Puluse – engineer, remix
  • Nancy Byers, Ted Brosnan – second engineer
  • Harold Tarowsky – technical advisor
  • George Butler – executive producer

Track listing:

All tracks by Miles Davis; except where noted.

  1. Fat Time
  2. Back Seat Betty
  3. Shout – Glenn Burris, Randy Hall, Robert Irving III
  4. Aïda
  5. The Man with the Horn – Randy Hall, Robert Irving III
  6. Ursula

The Bottom Line

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Bottom Line Club

On February 12, 1974, “The Bottom Line” club opened in New York City. Owned by Allan Pepper and Stanley Snadowsky, during the 70’s and 80’s, the club was a major space for small-scale music performances. The club stoped working in 2004. Some of the artists who performed in the club were Miles Davis, Gato Barbieri, Bill Evans, Charles Mingus, Mose Allison, Muddy Waters, Mike Bloomfield, Paul Butterfield, Ray Barretto, Peter Gabriel, Al Kooper, Tom Waits, Melvin Van Peebles, Neil Sedaka, Billy Joel, Suzi Quatro, Patti Smith, Flo & Eddie, Toots and the Maytals, Cheech & Chong, Tower of Power, Tim Hardin, Roger McGuinn, JJ Cale, The Meters, Greg Kihn Band, Ry Cooder,Southside Johnny & The Asbury Jukes, Sam & Dave, Asım Can Gündüz, The Ronettes, John Cale, Gong, Peter Bardens, The Violent Femmes, Eric Clapton, Carl Perkins, Linda Ronstadt,The Police, Richard Marx, Prince, Daryl Hall & John Oates, Van Morrison, The Stone Poneys, Chuck Mangione, Emmylou Harris, Clinn Rippy, Neil Young, Barry Manilow, Laura Nyro, Loudon Wainwright III, New York Dolls, Lyle Lovett, The Electric Flag, Pat Martino, Todd Rundgren, Graham Parker, Grayson Hugh, Stan Ridgway, Horslips, Dire Straits,Chris Hillman, Hawkwind, Dolly Parton, George Jones, Tracy Nelson, The Pointer Sisters, Betty Carter, Ravi Shankar, Ramones and Michael Hedges.

Miles Davis: Kind Of Blue

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MilesDavis Kind o fBlue

On August 17, 1959, “Columbia” label released “Kind of Blue” album by Miles Davis. It was recorded March 2 and April 22, 1959, at  “Columbia’s 30th Street Studio” in New York City, and was produced by Teo Macero and Irving Townsend. The album 46 minutes of innovations, improvisation and musical excellence has changed not only the face of jazz but the course of modern music. “Kind of Blue” is not only the best selling jazz album of all times (it was certified quadruple platinum in sales by the “Recording Industry Association of America”) and Davis personal masterpiece but is also regarded as one of the most influential albums in the history of modern music ever. “Rolling Stone” magazine ranked “Kind of Blue” at number 12 on its list of the “500 Greatest Albums of all Time”.

Personnel:

  • Miles Davis – trumpet, band leader
  • Julian “Cannonball” Adderley – alto saxophone
  • John Coltrane – tenor saxophone
  • Bill Evans – piano
  • Wynton Kelly – piano
  • Paul Chambers – double bass
  • Jimmy Cobb – drums
  • Fred Plaut— engineer
  • Bill Evans — original liner notes
  • Don Hunstein — photography

Track listing

  1. So What – Miles Davis
  2. Freddie Freeloader – Miles Davis
  3. Blue in Green – Miles Davis, Bill Evans
  4. All Blues – Miles Davis
  5. Flamenco Sketches – Miles Davis, Bill Evans

Stan Getz

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On June 6, 1991, Stanley Getz, died aged 64. He wasmusician (primarily tenor saxophone), came to prominence in the late 40’s playing with Woody Herman’s big band, and went on performing bebop and cool jazz.  He became world known with his bossa nova period, in which he recorded few albums that promoted bossa nova worldwide, including “Jazz Samba (1962)”; “Big Band Bossa Nova (1962)”; “Jazz Samba Encore! (1963)” and “Getz/Gilberto (1963)”. In his career he performed with some of the most important jazz artists, including Miles Davis, Bill Evans, Chet Baker, Gerry Mulligan, Joao Gilberto, Laurindo Almeida, Herb Alpert, Benny Goodman, Al Haig and Abbey Lincoln. Getz achieved big number of awards including five “Grammy Awards”:

  • Grammy Award for Best Jazz Performance, Soloist or Small Group (Instrumental) “Desafinado,” Stan Getz. 1962
  • Grammy Award for Record of the Year, “The Girl From Ipanema,” 1964
  • Grammy Award for Album of the Year, Getz/Gilberto, Stan Getz and João Gilberto (Verve) 1964
  • Grammy Award for Best Instrumental Jazz Performance, Small Group or Soloist With Small Group, Getz/Gilberto, Stan Getz 1964
  • Grammy Award for Best Jazz Solo Performance, “I Remember You” Stan Getz 1991