On January 6, 1992, “Atlantic” label released “Little Earthquakes”, the debut Tori Amos studio album. It was recorded 1990 – 1991, and was produced by Eric Rosse, Tori Amos, Davitt Sigerson and Ian Stanley.
Personnel:
Tori Amos – lead and backing vocals, acoustic piano, keyboard, sampled strings
Steve Caton – guitar, bass, backing vocals
David Rhodes – guitar
John Chamberlain – mandolin
Eric Williams – ukulele, dulcimer
Jef Scott – bass
Matthew Seligman – bass
Will McGregor – bass
Carlo Nuccio – drums
Ed Greene – drums
Chris Hughes – drums
Eric Rosse – Irish war drum, drum and keyboard programming, backing vocals
In December 1998, “Big moon Records” label released “Secret Agent”, the eleventh Judie Tzuke album. It was recorded in 1998, and was produced by David P. Goodes, Paul Muggleton, Peter Gordeno and Richard Cardwell.
Personnel:
Judie Tzuke – lead and backing vocals, programming
David P, Goodes – acoustic and electric guitar, mandolin, synthesizer, programming
Peter Gordeno – guitar, bass, electric piano, backing vocals
Richard Cardwell – piano, sitar, strings, keyboards, arrangements
Bob Noble – synthesizer
John Savannah – Angelphone solo
John Robert Wood – bass
Pino Palladino – bass
Paul Beavis – drums
Gordon Mills – drums
Andy Newmark – drums
Programmed Phat Drums – drums
Danny Cummings – percussion, djembe, talking drum, cymbal, rattle
Mark “Tufty” Evans – strings, programming
Caroline Dale – strings
Cathy Morgan – strings
Helen Hathorn – strings
Rachel Roberts – strings
Peter Davis – arrangements
Peter Cox – backing vocals
Bailey Tzuke – backing vocals
Kristy Hawkshaw – backing vocals
Lucie Silverman – backing vocals
Paul Muggleton – recording
Mark Evans – recording, mixing
Oscar Pall – mastering
Heidi Baker – design
lightzoo.com – photography
Track listing:
Tonight – Judie Tzuke, Paxman
Swallowing – Judie Tzuke, Peter Cox
Both Alone – Judie Tzuke, Richard Cardwell
That’s Where My Heart Used to Be – Judie Tzuke, Peter Gordeno
The Girl I Want to Be – Judie Tzuke, Richard Cardwell
Secret Agent – Judie Tzuke, Bob Noble
Little Cloud – Judie Tzuke, David P. Goodes
Dancing on Charcoal – Judie Tzuke, David P. Goodes
On May 29, 2015, “Island” label released “How Big, How Blue, How Beautiful”, the third Florence and the Machine studio album. It was recorded 2014 – 2015, at “The Pool”, “Angel”, “Urchin”, “Lightship”, “123”, “Sarm Studio”, and “No. 1 Baltic Place” in London, “Bedrock Rehearsal” in Los Angeles, and was produced by Markus Dravs, Kid Harpoon, John Hill, Paul Epworth, James Ford, Charlie Hugall, Isabella Summers, Brett Shaw and Dan Wilson.
Personnel:
Florence Welch – lead and backing vocals, body percussion, stamps, claps, piano, percussion
Rob Ackroyd – acoustic and electric guitar, ukulele
Leo Abrahams – acoustic and electric guitar
Kid Harpoon – acoustic and electric guitars, bass, piano, CP 70 synth, drums, percussion, bass, brass writing, brass arrangements
On May 24, 2010, “Fiction” label released “Future Dust”, the second Amazons (The) studio album. It was recorded in 2010, and was produced by Catherine Marks.
Personnel:
Matt Thomson – vocals, guitar
Chris Alderton – guitar
Elliot Briggs – bass guitar
Joe Emmett – drums
Track listing:
All tracks by Chris Alderton, Elliot Briggs, Joe Emmett, and Matt Thomson.
On June 17, 1983, “A&M” label released “Synchronicity”, the fifth and final Police (The) studio album. It was recorded December 1982 – February 1983, at “Air” in Montserrat, “Le Studio” in Quebec, and was produced by Hugh Padgham, Sting, Andy Summers and Stewart Copeland.
Personnel:
Sting – lead and backing vocals, bass guitar, upright bass, keyboards, drum machine, sequencer, saxophone, oboe
Andy Summers – lead and backing vocals, electric guitars, keyboards
Stewart Copeland – drums, marimba, percussion, backing vocals
On March 19, 2013, “Sub Pop” label released “The Invisible Way” the tenth Low album. It was recorded in 2012, at Wilco’s studio in Chicago, and was produced by Jeff Tweedy.
Personnel:
Alan Sparhawk – vocals, guitar
Steve Garrington – bass, keyboards
Mimi Parker – vocals, drums
Tom Schick – engineer
Mark Greenberg – engineer assistant
Bob Ludwig – mastering
Jeff Kleinsmith – art direction
Ryan Lemahleu – package artwork
All tracks by Alan Sparhawk, Steve Garrington and Mimi Parker.
On March 3, 2017, “RCA” label released “Wired”, the third Mallory Knox studio album. It was recorded in 2016, at “VADA Studios” in Cookhill, Alcester, UK, and was produced by Dan Austin.
Personnel:
Mikey Chapman – lead and backing vocals, percussion
Sam Douglas – lead and backing vocals, bass guitar, keys, piano
James Gillett – rhythm and lead guitar, keys, percussion
On February 17, 1992, “Fontana” label released “Seven”, the fourth James studio album. It was recorded in 1991, at “The Manor Studios” in Oxfordshire and “Olympic Studios” in London, and was produced by Youth, Steve Chase, Tim Booth, Larry Gott, Jim Glennie, Saul Davies, Mark Hunter, Andy Diagram and Dave Baynton-Power.
Personnel:
Tim Booth– vocals
Larry Gott– guitar
Saul Davies– guitar
Mark Hunter- piano, keyboards
Jim Glennie- bass guitar
Dave Baynton-Power– drums
Andy Diagram– trumpet
Durga McBroom— backing vocals
Track listing:
All tracks by Tim Booth, Larry Gott and Jim Glennie.
On June 8, 1999, “Drag City” label released “Fingerpainting”, the eighth Red Krayola album.
Personnel:
Mayo Thompson
Frederick Barthelme
Steve Cunningham
David Grubbs
Bobby Henschen
George Hurley
Albert Oehlen
Stephen Prina
Elisa Randazzo
Tom Watson
Christopher Williams
Sandy Yang
Track listing:
George III
Bad Medicine
A Hybrid Creature of Greed, Ignorance and Powers of Comprehension Plays a Vaulted Drum Kit. The Playing Corresponds Completely to the Event. There Are Entrances and Exits. And There Is Gravitation, Where It Is Needed – Tears for Example
There There Betty Betty
The Greed of a Clarinet That Is Puffy from Crying Gets Tossed in Butter and Spread by Notes. This Process Depresses the Entire Orchestra So Much That It Only Plays Behind a Golden Partition. The Partition Is Decorated With Semi-Precious Attractive Diamonds
Vile Vile Grass
A Sow With an Abbess’s Bonnet Is Sitting on Four Rock-Objects and Singing Along With Them. The Song Sounds Like a Cheater, And Is Imprisoned in a Striped Toy Box Because Its Aims Are Not Recognizable. On Top of the Box Is a Head That Could Be Elvis’s, If He Had Survived This
Mother
Out of a Trombone That Is Divided Lengthways by a Partition of Gold Sound Seven Violins of Dynamite That Are Cut Sideways into Thin Slices. They Are Played by the Thrown Out Ex-Members of a Very Bad Band and Blown Up
In My Baby’s Ruth, Sandy’s Drums With David & Shadwell, Filthy Lucre