In December 1965, “Impulse!” label released “Tijuana Jazz”, the sixth Gary McFarland album. It was recorded in December 1965, in New York City, and was produced by Bob Thiele.
Personnel:
Gary McFarland – marimba, electric piano
Joe Newman, Clark Terry – trumpet, flugelhorn
Bob Brookmeyer – valve trombone
Toots Thielemans – harmonica, guitar
Barry Galbraith – guitar
Bob Bushnell – electric bass
Mel Lewis, Grady Tate – drums
Track listing:
All tracks by Gary McFarland except where noted.
South of the Border – Jimmy Kennedy, Michael Carr
Acapulco at Night
Fantastic, That’s You – George Cates, George Douglas
Limehouse Blues – Philip Braham, Douglas Furber
Tijuana – George Cates, George Douglas
Marcheta – Victor Schertzinger
Granny’s Samba
Soul Bird (Tin Tin Deo) – Gil Fuller, Chano Pozo
Mexicali Rose – Jack Tenney, Helen Stone
Ira Schwartz’s Golden Dream
Mary Jane
Sweet Georgia Brown – Ben Bernie, Kenneth Casey, Maceo Pinkard
On July 26, 1994, “Atlantic” label released “More Jazz Meets the Symphony”, album by Lalo Schifrin. It was recorded in December 1993, at “CTS Studios” in London, and was produced by Lalo Schifrin. The album was the second in Schifrin’s “Jazz Meets the Symphony” series.
Personnel:
Lalo Schifrin – piano, arrangements, conductor
London Philharmonic Orchestra
Jon Faddis – trumpet
Paquito D’Rivera – clarinet, alto saxophone
James Morrison – trumpet, flugelhorn, trombone
Ray Brown – bass
Grady Tate – drums
Track listing:
Sketches of Miles: All Blues / So What / Milestones / Concierto de Aranjuez / On Green Dolphin Street / Oleo / Four / Move – Miles Davis / Miles Davis / Miles Davis / Joaquin Rodrigo / Bronislaw Kaper / Sonny Rollins / Miles Davis / Denzil Best
Down Here on the Ground – Lalo Schifrin
Chano – Lalo Schifrin
Begin the Beguine – Cole Porter, arranged by Lalo Schifrin
Django – John Lewis
Old Friends – Lalo Schifrin
Madrigal – Lalo Schifrin
Portrait of Louis Armstrong: Nobody Knows the Trouble I’ve Seen / When It’s Sleepy Time Down South / Someday / After You’ve Gone / St. Louis Blues / Some of These Days / Struttin’ with Some Barbeque / I Can’t Give You Anything but Love, Baby (traditional / Clarence Muse, Leon René, Otis René / Lil Hardin Armstrong, Don Raye / Henry Creamer, Turner Layton / W. C. Handy/Shelton Brooks / Louis Armstrong / Dorothy Fields, Jimmy McHugh
In June 1967, “Verve” label released “Now Please Don’t You Cry, Beautiful Edith”, the 14th Roland Kirk album. It was recorded in May 1967, at “Van Gelder Studio” in Englewood Cliffs, New Jersey, and was produced by Creed Taylor.
Personnel:
Roland Kirk – tenor saxophone, manzello, stritch, flute
In October 1973, “A&M” label released “You’ve Got It Bad Girl”, the 22nd Quincy Jones. It was recorded in 1973, at “A&M Studios”, “Sun West Studios” and “The Record Plant” in Hollywood, “The Burbank Studios” in Burbank, California, “A&R Studios” in New York, and was produced by Quincy Jones.
Personnel:
Quincy Jones – vocals, trumpet, arranger, conductor, mixing
Quincy Duke – vocals
Valerie Simpson – vocals
Toots Thielemans – guitar, whistle, harmonica
George Duke – piano
Dave Grusin – electric piano
Bob James & Creations – keyboards
Tom Junior Morgan – harmonica
Ray Brown – bass, mixing
Carol Kaye – electric bass
Chuck Rainey – electric bass
Grady Tate – drums
Bobbye Porter – percussion
Phil Woods – alto saxophone
Ernie Watts – saxophone
Cat Anderson – trumpet
Eddie Louis – soloist
Phil Ramone – engineer
Phil (Boogie) Schier – mixing
Kevin Reeves – mastering
Track listing:
Summer in the City – John Sebastian, Mark Sebastian, Steve Boone
Eyes of Love – Quincy Jones, Bob Russell
Tribute to A.F.-Ro’: Daydreaming / First Time Ever I Saw Your Face – Aretha Franklin / Ewan MacColl
Love Theme from The Getaway – Quincy Jones
You’ve Got It Bad Girl – Stevie Wonder, Yvonne Wright
Superstition – Stevie Wonder
Manteca – Gil Fuller, Dizzy Gillespie, Chano Pozo
Sanford and Son Theme (The Streetbeater) – Quincy Jones
In October 1965, “Blue Note” label released “Joyride”, the eleventh Stanley Turrentine album. It was recorded in April 1965, at “Van Gelder Studio” in Englewood Cliffs, New Jersey, and was produced by Alfred Lion.
Personnel:
Stanley Turrentine – tenor saxophone
Herbie Hancock – piano
Kenny Burrell – guitar
Bob Cranshaw – bass
Grady Tate – drums
Phil Woods – alto saxophone, clarinet
Jerry Dodgion – alto saxophone, flute, alto flute, clarinet, piccolo flute
Danny Bank – baritone saxophone, clarinet, bass clarinet, flute, alto flute
Robert Ashton – tenor saxophone, clarinet
Albert J. Johnson – tenor saxophone, soprano saxophone, clarinet, bass clarinet
Clark Terry, Ernie Royal, Snooky Young – trumpet
Henry Coker, J.J. Johnson, Jimmy Cleveland – trombone
On October 17, 1975, “Columbia” label released “Still Crazy After All These Years”, the fourth Paul Simon studio album. It was recorded in 1975, at “A&R Recording” in New York City, and was produced by Phil Ramone and Paul Simon.
Personnel:
Paul Simon – vocals, acoustic guitar, electric guitar, string and horn arrangements
Pete Carr – electric guitar
Joe Beck – electric guitar
Jerry Friedman – electric guitar
Hugh McCracken – acoustic and electric guitar
John Tropea – electric guitar
Barry Beckett – Fender Rhodes, acoustic piano
Bob James – woodwind arrangements, string arrangements, Fender Rhodes
In August 1966, “Impulse!” label released “Roll ‘Em: Shirley Scott Plays the Big Bands”, the 30th Shirley Scott album. It was recorded in April 1966, at “Van Gelder Studio” in Englewood Cliffs, New Jersey, and was produced by Bob Thiele.
Personnel:
Shirley Scott – organ
Oliver Nelson – arrangements, conductor
Jerry Dodgion, Phil Woods – alto saxophone
Bob Ashton, Jerome Richardson – tenor saxophone
Danny Bank – baritone saxophone
Thad Jones, Joe Newman, Jimmy Nottingham, Ernie Royal, Clark Terry – trumpet
Quentin Jackson, Melba Liston, Tom McIntosh – trombone
Paul Faulise – bass trombone
Attila Zoller – guitar
Richard Davis, George Duvivier – double bass
Ed Shaughnessy, Grady Tate – drums
Rudy Van Gelder – engineer
Track listing:
Roll ‘Em – Mary Lou Williams
For Dancers Only – Don Raye, Sy Oliver, Vic Schoen
Sophisticated Swing – William Hudson, Mitchell Parish
Sometimes I’m Happy – Irving Caesar, Vincent Youmans
Little Brown Jug – Joseph Winner
Stompin’ at the Savoy – Edgar Sampson
Ain’t Misbehavin’ – Thomas “Fats” Waller, Harry Brooks, Andy Razaf
A-Tisket, A-Tasket – Van Alexander, Ella Fitzgerald
Things Ain’t What They Used to Be – Mercer Ellington
In June 1965, “Capitol” label released “Domination”, the 33rd Cannonball Adderley album. It was recorded April – May 1970, at “Capitol Studios” in New York City, and in Los Angeles, and was produced by David Axelrod.
Personnel:
Cannonball Adderley – alto saxophone
Marshal Royal, Phil Woods – alto saxophone
Budd Johnson – tenor saxophone, clarinet, flute
Bob Ashton – tenor saxophone, bass clarinet, flute
Danny Bank – baritone saxophone, bass clarinet, flute
Nat Adderley – cornet, trumpet
Jimmy Maxwell, Jimmy Nottingham, Clark Terry, Snooky Young – trumpet
Jimmy Cleveland, Willie Dennis, Jay Jay Johnson – trombone
Don Butterfield – tuba
Joe Zawinul – piano, electric piano
Richard Davis, Sam Jones, Walter Booker – bass
Grady Tate, Louis Hayes, Roy McCurdy – drums
Unidentified percussion
Unidentified 42-piece orchestra
Oliver Nelson, William Fischer – conductor, arrangements
Track listing:
All tracks by Julian “Cannonball” Adderley, except where noted.
On June 18, 1973, “Atco” label released “Extension of a Man”, the fourth and final Donny Hathaway studio album. It was recorded October – November 1972, at “A&R”, “Bell Sound”, “Regent Sound” and “Atlantic” in New York City, “Universal” in Chicago, and was produced by Arif Mardin.
Personnel:
Donny Hathaway – lead vocals, Fender Rhodes electric piano, all pianos, Hammond organ, keyboards, bass, arrangements
Cornell Dupree – acoustic and electric guitar
Hugh McCracken – banjo, guitar
Willie Weeks, Russ Savakus, Stanley Clarke, Gordon Edwards – bass
Grady Tate, Fred White, Rick Marotta, Ray Lucas – drums
Ralph MacDonald – percussion
Emanuel Green, Harry Lookofsky, Julien Barber, Noel DaCosta, Sanford Allen, Theodore Israel – violin
Charles McCracken, George Ricci, Kermit Moore – cello
Gloria Agostini – harp
David Newman – saxophone
Marvin Stamm, Joe Newman, Ernie Royal – trumpet
Dominick Gravine, Garnett Brown, Paul Faulise, Wayne Andre, Tony Studd, Garnett Brown – trombone
Hubert Laws – flute
Don Butterfield – tuba
Phil Bodner – clarinet, alto saxophone
Seldon Powell – clarinet, reeds, tenor saxophone
Vincent Abato – clarinet
Romeo Penque, William Slapin – reeds
Jim Buffington, Julius Watkins, Tony Miranda – French horn
Henry Schuman – oboe
Myrna Summers & The Interdenominational Singers – choir
Cissy Houston, Myrna Smith, Sylvia Shemwell, Jimmy Douglass, Mario “Big M” Medious, Richard Wells, William “Mac” McCollum – backing vocals
Track listing:
All tracks by Donny Hathaway, except where noted.
I Love the Lord; He Heard My Cry (Parts I & II)
Someday We’ll All Be Free – Donny Hathaway, Edward Howard
In December 1972, “Atlantic” label released “A Meeting of the Times”, album by Rahsaan Roland Kirk and Al Hibbler (the 21st Rahsaan Roland Kirk album overtall). It was recorded in March 1972, at “Atlantic Studios” in New York City, and was produced by Joel Dorn.