On October 27, 2023, “ATO” label released “Chronicles of a Diamond”, the second Black Pumas studio album. It was recorded in 2023, and was produced by Adrian Quesada.
Personnel:
Eric Burton – vocals, co-production
Adrian Quesada – engineer, additional engineering, mixing
JaRon Marshall – keyboards
Anthony Farrell- keyboards, drums
Brendan Bond – bass guitar
Josh Blue – bass, keyboards
Erik Wofford- mellotron
Stephen Bidwell – drums, samples
AJ Hall – drums, backing vocals
Adam Jackson – drums
John Speice – congas, percussion
Alexis Buffum – violin
Lauren Cervantes – backing vocals
Angela Miller – backing vocals
Roy Patten – backing vocals
John Congleton – co-production, additional engineering
On June 29, 2018, “Blue Note” label released “Vanished Gardens”, album by Charles Lloyd, The Marvels and Lucinda Williams. It was recorded 2017 – 2018, at “EastWest” in Hollywood, California, and was produced by Dorothy Darr, Don Was, Charles Lloyd and Lucinda Williams.
Personnel:
Charles Lloyd – alto flute, tenor saxophone, vocals, band leader
Lucinda Williams – vocals
Bill Frisell – guitar
Greg Leisz – dobro, pedal steel guitar
Reuben Rogers – double bass
Eric Harland – drums
Michael C. Ross – engineer, mixing
Tyler Shields – engineer assistant
Will Delaney – engineer assistant
Bernie Grundman – mastering
Dorothy Darr – art design, photography
Paul Moore – layout
Joe Harley – poetry
Track listing:
All tracks by Charles Lloyd, except where noted.
Defiant
Dust – Lucinda Williams
Vanished Gardens
Ventura – Lucinda Williams
Ballad of the Sad Young Men – Fran Landesman, Tommy Wolf
We’ve Come Too Far to Turn Around – Lucinda Williams
On October 11, 1985, “Anthem” label released “Power Windows”, the eleventh Rush studio album. It was recorded April – August 1985, at “The Manor” in Oxfordshire, “SARM East”, “Angel” and “Abbey Road” in London, “AIR” in Salem, Montserrat, and was produced by Peter Collins, Geddy Lee, Alex Lifeson and Neil Peart.
Personnel:
Geddy Lee – vocals, bass guitar, bass pedals, synthesizers, arrangements
Alex Lifeson – electric and acoustic guitars, arrangements
Neil Peart – drums, percussion, electric percussion, arrangements
Andy Richards – additional keyboards, synthesizer programming
Jim Burgess – synthesizer programming
Anne Dudley – string arrangement, conductor
Andrew Jackman – conductor, choir arrangements
The Choir – additional vocals
Peter Collins – arrangements
Jim Barton – engineer
Matt Butler – engineer assistant
Stephen Chase – engineer assistant
Dave Meegan – engineer assistant
Heff Moraes – engineer assistant
Bob Ludwig – mastering
Brian Lee – mastering
Hugh Syme – art direction, graphics, cover design, painting
Track listing:
All lyrics written by Neil Peart, all music by Alex Lifeson and Geddy Lee.
On May 29, 2015, “Island” label released “How Big, How Blue, How Beautiful”, the third Florence and the Machine studio album. It was recorded 2014 – 2015, at “The Pool”, “Angel”, “Urchin”, “Lightship”, “123”, “Sarm Studio”, and “No. 1 Baltic Place” in London, “Bedrock Rehearsal” in Los Angeles, and was produced by Markus Dravs, Kid Harpoon, John Hill, Paul Epworth, James Ford, Charlie Hugall, Isabella Summers, Brett Shaw and Dan Wilson.
Personnel:
Florence Welch – lead and backing vocals, body percussion, stamps, claps, piano, percussion
Rob Ackroyd – acoustic and electric guitar, ukulele
Leo Abrahams – acoustic and electric guitar
Kid Harpoon – acoustic and electric guitars, bass, piano, CP 70 synth, drums, percussion, bass, brass writing, brass arrangements
In March 1977, “Mercury” label released “Angel”, the ninth Ohio Players studio album. It was recorded in 1976, at “Paragon” and “CRC” in Chicago, and was produced by Billy Beck, James “Diamond” Williams, Marshall Jones, Marvin “Merv” Pierce, Ralph “Pee Wee” Middlebrooks, Clarence Satchell, and Leroy “Sugarfoot” Bonner.
Personnel:
Leroy “Sugarfoot” Bonner – vocals, guitars
Clarence “Chet” Willis – vocals, rhythm guitar
Billy Beck – vocals, grand piano, Fender Rhodes piano, Hohner Clavinet, RMI Electric piano, ARP Odyssey Synthesizer, ARP string ensemble, Hammond B-3 organ, percussion
Marshall “Rock” Jones – electric bass
James “Diamond” Williams – vocals, drums, congas, cowbells, temple blocks, percussion
All tracks by Billy Beck, James “Diamond” Williams, Marshall Jones, Marvin “Merv” Pierce, Ralph “Pee Wee” Middlebrooks, Clarence Satchell, and Leroy “Sugarfoot” Bonner.
On November 4, 2022, “Columbia” label released “Palomino”, the fifth First Aid Kit studio album. It was recorded in 2022, and was produced by Daniel Bengston.
On October 27, 1975, “Casablanca” label released the self-titled, debut Angel album. It was recorded in 1975, at “Wally Heider Studios” in Hollywood, and was produced by Derel Lawrence and Big Jim Sullivan.
Personnel:
Frank DiMino – lead vocals, arrangements
Punky Meadows – lead and acoustic guitars, arrangements
In April 1965, “Columbia” label released the self-titled, seventh Cliff Richard studio album. It was recorded 1962 – 1964, at “EMI Studios” in Barcelona, “EMI Studios” in London, “CBS 30th Street Studio” in New York City, “CBS Studios” in Nashville, and was produced by Norrie Paramor.
On March 7, 1995, “EMI” label released “Wonderful”, the fifth Adam Ant studio album. It was recorded in 1994, at “Abbey Road Studios” in London, and was produced by David Tickle.
Personnel:
Adam Ant – vocals
Boz Boorer – acoustic and electric guitar
Marco Pirroni – acoustic and electric guitar
Bruce Witkin – bass, mellotron, backing vocals
Dave Ruffy – drums
John Reynolds – drums, drum programming
Chris Lawson – engineer
Guy Massey – engineer assistant
Track listing:
All tracks by Adam Ant, Marco Pirroni and Boz Boorer, except where noted.
Won’t Take That Talk
Beautiful Dream – Adam Ant, Marco Pirroni, Kevin Mooney, John Reynolds
Wonderful – Adam Ant, Marco Pirroni, Bonnie Hayes
1969 Again
Yin and Yang
Image of Yourself
Alien
Gotta Be a Sin
Vampires
Angel
Very Long Ride – Adam Ant, Marco Pirroni, Kevin Mooney, John Reynolds
On January 7, 2003, “Slave To the Rhythm Productions, Inc” label released “Glitter 4 Your Soul”, the debut Rikki Rockett studio album. It was recorded 1999 – 2003, at “The Hit Shed” in Santa Clarita, California and was produced by Rikki Rockett.