In December 1970. “MPS” label released “Hello Herbie”, album by Oscar Peterson Trio (The) and Herb Ellis (the 113th Oscar Peterson album overall). It was recorded in November 1969, and was produced by Hans Georg Brunner Schwer.
Personnel:
Oscar Peterson – piano, liner notes
Herb Ellis – guitar
Sam Jones – double bass
Bobby Durham – drums
Hans Georg Brunner Schwer – recording
Atelier Hugel – photography
Track listing:
Naptown Blues – Wes Montgomery
Exactly Like You – Dorothy Fields, Jimmy McHugh
Seven Come Eleven – Charlie Christian, Benny Goodman, Fletcher Henderson
Hamp’s Blues – Hampton Hawes
Blues for H.G. – Oscar Peterson
A Lovely Way to Spend an Evening – Harold Adamson, Jimmy McHugh
Day by Day – Sammy Cahn, Axel Stordahl, Paul Weston
In December 1965, “EmArcy” label released “Julian Cannonball Adderley and Strings”, the third Cannonball Adderley album. It was recorded in October 1955, in New York City.
Personnel:
Cannonball Adderley – alto saxophone
Richard Hayman – musical director
Bill Russo – arrangements
Unidentified Strings
Track lostong:
I Cover the Waterfront – Johnny Green, Edward Heyman
A Foggy Day – George Gershwin, Ira Gershwin
The Surrey With the Fringe on Top – Oscar Hammerstein II, Richard Rodgers
Two Sleepy People – Hoagy Carmichael, Frank Loesser
I’ll Never Stop Loving You – Nicholas Brodszky, Sammy Cahn
(I’m Afraid) The Masquerade Is Over – Herbert Magidson, Allie Wrubel
I’ve Never Been in Love Before – Frank Loesser
Lonely Dreams – Julius Gubenko
Falling in Love With Love – Lorenz Hart, Richard Rodgers
Street of Dreams – Sam M. Lewis, Victor Young
Polka Dots and Moonbeams – Johnny Burke, Jimmy Van Heusen
You Are Too Beautiful – Lorenz Hart, Richard Rodgers
In November 1967, “Blue Note” label released “Boss Horn”, the 13th Blue Mitchell album. It was recorded in November 1966, at “Van Gelder Studio” in Englewood Cliffs, New Jersey, and was produced by Alfred Lion.
Personnel:
Blue Mitchell – trumpet
Jerry Dodgion – flute, alto saxophone
Junior Cook – tenor saxophone
Pepper Adams – baritone saxophone
Julian Priester – trombone
Chick Corea – piano
Cedar Walton – piano
Gene Taylor – bass
Mickey Roker – drums
Duke Pearson – arrangements
Track listing:
Millie – Duke Pearson
O Mama Enit – Blue Mitchell
I Should Care – Sammy Cahn, Axel Stordahl, Paul Weston
In November 1956, “Columbia” label released the self-titled, debut Jazz Messengers (The) studio album. It was recorded April – May 1956, at “Columbia 30th Street Studio” in New York City, and was produced by George Avakian.
In November 1954, “Blue Note” label released “The Eminent Jay Jay Johnson, Vol. 2”, the tenth J. J. Johnson album. It was recorded in September 1954, at “Van Gelder Studio” in Hackensack, New Jersey, and was produced by Alfred Lion, and was released as 10” LP.
Personnel:
J. J. Johnson – trombone
Wynton Kelly – piano
Charles Mingus – bass
Kenny Clarke – drums
Sabu Martinez – congas
Rudy Van Gelder – recording
Track listing:
All tracks by J. J. Johnson, except where noted.
Jay
Time After Time – Sammy Cahn, Jule Styne
Old Devil Moon – E.Y. Harburg, Burton Lane
Too Marvelous for Words – Johnny Mercer, Richard A. Whiting
On November 1, 1970, “RCA” label released “The New Birth”, the debut New Birth album. It was recorded in 1970, at “RCA’s Mid America Recording Center” in Chicago, and was produced by Harvey Fugua.
Personnel:
Alan Frye – vocal
The Mint Juleps – female singers
The New Sound – male singers
The Nite Liters – backing band
Harvey Fugua – arrangements, conductor
Vernon Bullock – arrangements, conductor
John Janus – recording
David Cheppa – lacquer cut
John Sposato – painting
Mary Goodman – liner notes
Track listing:
What’ll Do – Vernon Bullock, Harvey Fugua, Robert Wilson
UNH Song – Vernon Bullock, Harvey Fugua
All the Way – Sammy Cahn, James Van Huesen
It’s All in the Game – Charles Dawes, Carl Sigman
Pretty Words Don’t Mean a Thing (Lie to Me) – Harvey Fugua, Kenny Hawkins, The Nite Liters
Do the Funky Chicken – Rufus Thomas
Brand New Lover – Vernon Bullock, Harvey Fugua
You Don’t Have to Be Alone – Vernon Bullock, Harvey Fugua
One way Bus – Tex Bristow, Harvey Fugua, Harold Sparks
In October 1977, “Atlantic” label released “True to Life”, album by Ray Charles. It was recorded in 1977, at “R. P. M. International” in Los Angeles, and was produced by ray Charles.
Personnel:
Ray Charles – vocals, piano, keyboards, arrangements, engineer
Larry Muhoberac, Roger Newman, Sid Feller – arrangements
Bob Gratts – engineer
Robert Gratts – engineer
Track listing:
I Can See Clearly Now – Johnny Nash
The Jealous Kind – Robert Guidry
Oh, What a Beautiful Mornin’ – Oscar Hammerstein II, Richard Rodgers
How Long Has This Been Going On? – George Gershwin, Ira Gershwin
On October 13, 2009, “Columbia” label released “Christmas in the Heart”, the thirty-fourth Bob Dylan studio album. It was recorded in 2009, at “Groove Masters Studio” in Santa Monica, California, and was produced by Jack Frost (Bob Dylan’s pseudonym).
Personnel:
Bob Dylan – vocals, guitar, electric piano, harmonica, arrangements
On September 24, 1996, “Elektra” label released “Stardust”, the 15th Natalie Cole album. It was recorded June – September 1996, at “Ocean Way Recording”, “Capitol Studios”, “Conway Studios” and “LeGonks West” in Hollywood, “Record Plant” in Los Angeles, “Chartmaker Studios” in Malibu, California, “The Hit Factory” and “Sony Music Studios” in New York, “The Shire” in Bedford, New York, “Wisseloord Studios” in Hilversum, Netherlands, and was produced by George Duke, David Foster, Phil Ramone and Natalie Cole. At the 39th “Grammy Awards”, Natalie Cole won the “Grammy Award for Best Pop Collaboration with Vocals” for the song “When I Fall in Love”, a duet with Nat King Cole. The song also won the “Grammy Award for Best Instrumental Arrangement with Accompanying Vocal(s)” for arrangers Alan Broadbent and David Foster.
Personnel:
Natalie Cole – lead and backing vocals, vocal and music arrangements, album concept, executive producer
Nat King Cole – lead vocals, Hammond B3 organ
John Chiodini – guitar, acoustic guitar
John Pizzarelli – guitar
Paul Jackson Jr. – electric guitar
Lee Ritenour – guitar
Terry Trotter – acoustic piano, Fender Rhodes, keyboards
Michael Lang – acoustic piano
Rob Mounsey – acoustic piano, keyboards, music arrangements
George Duke – acoustic piano, keyboards, vibraphone, music arrangements, horn arrangements, vocals arrangements
Bob James – keyboards, acoustic piano, music arrangements
Toots Thielemans – harmonica
Jim Hughart – bass, music arrangements
Chuck Domanico – bass
David Finck – bass
Reggie Hamilton – bass
Chuck Berghofer – bass
Nathan East – bass
Harold Jones – drums
Ralph Penland – drums
Chris Parker – drums
John Guerin – drums
John Robinson – drums
Harvey Mason – drums
Bashiri Johnson – percussion
Paulinho da Costa – percussion
Rafael Padilla – percussion
Dan Higgins – saxophone
Everette Harp – alto saxophone
Michael Brecker – saxophone
Wynton Marsalis – trumpet
George Bohanon – trombone
Jon Clarke – oboe
Alan Broadbent – music arrangements
John Clayton – music arrangements
David Foster – music and vocals arrangements
Johnny Mandel – music arrangements
Charles Floyd – music arrangements
Gordon Jenkins – original music arrangements
Clare Fischer – strings arrangements
Jerry Hey – horns arrangements
Janis Siegel – backing and harmony vocals
Al Schmitt – recording, mixing
Elliot Scheiner, Erik Zobler, Dave Reitzas – recording
Felipe Elgueta, Wayne Holmes, Henk Korff, John Patterson, Patrick Ulenberg – additional engineering
Jeffrey Demorris, Peter Doell, Koji Ejawa, Rob Frank, Barry Goldberg, John Hendrickson, Glenn Marchese, Eddie Miller, Charlie Paakkari, Rail Rogut, Robbes Stieglitz – engineer assistant
Gabrielle Raumberger – art direction
Emily Rich – design
Rocky Schenck – photography
Simon Ramone, Corrine Duke – production assistant
Shari Sutcliffe – project coordinator
Dick La Palm – liner notes
Track listing:
There’s a Lull in My Life – Mack Gordon, Harrye Revel
Stardust – Hoagy Carmichael, Mitchell Parish
Let’s Face the Music and Dance – Irving Berlin
Teach Me Tonight – Sammy Cahn, Gene de Paul
When I Fall in Love – Edward Heyman, Victor Young
What a Difference a Day Made – Stanley Adams, María Méndez Grever
Love Letters – Edward Heyman, Victor Young
He Was Too Good to Me – Lorenz Hart, Richard Rodgers
Dindi – Ray Gilbert, Antônio Carlos Jobim
Two for the Blues – Neal Hefti, Jon Hendricks
If Love Ain’t There – Johnny Burke
To Whom It May Concern – Nat King Cole, Charlotte Hawkins
Where Can I Go Without You? – Victor Young, Peggy Lee
Ahmad’s Blues – Ahmad Jamal. Bobby Williams
Pick Yourself Up – Dorothy Fields, Jerome Kern
If You Could See Me Now – Tadd Dameron, Carl Sigman
Like a Lover – Alan and Marilyn Bergman, Nelson Motta
This Morning It Was Summer – Bob Haynes
When I Fall in Love (Spanish version) – Victor Young, Edward Heyman
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