In December 1958, “Roulette” label released “Sing Along with Basie”, album by Lambert, Hendricks & Ross with Joe Williams and the Count Basie Orchestra. It was recorded May – October 1958, at “Capitol” in New York City, and was produced by Teddy Reig.
Personnel:
Jon Hendricks, Dave Lambert, Annie Ross, Joe Williams – vocals
Count Basie – piano
Marshal Royal – alto saxophone, clarinet
Frank Wess – alto saxophone, tenor saxophone, flute
Frank Foster, Billy Mitchell – tenor saxophone
Charlie Fowlkes – baritone saxophone
Wendell Culley, Thad Jones, Joe Newman, Snooky Young – trumpet
Henry Coker, Al Grey, Benny Powell – trombone
Freddie Green – guitar
Eddie Jones – bass
Sonny Payne – drums
Track listing:
Jumpin’ at the Woodside – Count Basie
Goin’ to Chicago Blues – Count Basie, Jimmy Rushing
In May 1968, “Columbia” label released “Underground”, the 24th Thelonious Monk album. It was recorded in December 1967, February – December 1968, and was produced by Teo Macero.
Personnel:
Thelonious Monk – piano
Charlie Rouse – tenor saxophone
Larry Gales – bass
Ben Riley – drums
Jon Hendricks – vocals
Tim Geelan – engineer
John Berg, Richard Mantel – art direction
Horn Grinner Studios – photography
Track listing:
All tracks by Thelonious Monk, except where noted.
In December 1955, “Signal” label released “Nica’s Tempo”, album by Gigi Gryce Orchestra and Quartet (the second Gigi Gryce album overall). It was recorded in October 1955, at “Van Gelder Studio” in Hackensack, New Jersey, and was produced by Ozzie Cadena.
On September 24, 1996, “Elektra” label released “Stardust”, the 15th Natalie Cole album. It was recorded June – September 1996, at “Ocean Way Recording”, “Capitol Studios”, “Conway Studios” and “LeGonks West” in Hollywood, “Record Plant” in Los Angeles, “Chartmaker Studios” in Malibu, California, “The Hit Factory” and “Sony Music Studios” in New York, “The Shire” in Bedford, New York, “Wisseloord Studios” in Hilversum, Netherlands, and was produced by George Duke, David Foster, Phil Ramone and Natalie Cole. At the 39th “Grammy Awards”, Natalie Cole won the “Grammy Award for Best Pop Collaboration with Vocals” for the song “When I Fall in Love”, a duet with Nat King Cole. The song also won the “Grammy Award for Best Instrumental Arrangement with Accompanying Vocal(s)” for arrangers Alan Broadbent and David Foster.
Personnel:
Natalie Cole – lead and backing vocals, vocal and music arrangements, album concept, executive producer
Nat King Cole – lead vocals, Hammond B3 organ
John Chiodini – guitar, acoustic guitar
John Pizzarelli – guitar
Paul Jackson Jr. – electric guitar
Lee Ritenour – guitar
Terry Trotter – acoustic piano, Fender Rhodes, keyboards
Michael Lang – acoustic piano
Rob Mounsey – acoustic piano, keyboards, music arrangements
George Duke – acoustic piano, keyboards, vibraphone, music arrangements, horn arrangements, vocals arrangements
Bob James – keyboards, acoustic piano, music arrangements
Toots Thielemans – harmonica
Jim Hughart – bass, music arrangements
Chuck Domanico – bass
David Finck – bass
Reggie Hamilton – bass
Chuck Berghofer – bass
Nathan East – bass
Harold Jones – drums
Ralph Penland – drums
Chris Parker – drums
John Guerin – drums
John Robinson – drums
Harvey Mason – drums
Bashiri Johnson – percussion
Paulinho da Costa – percussion
Rafael Padilla – percussion
Dan Higgins – saxophone
Everette Harp – alto saxophone
Michael Brecker – saxophone
Wynton Marsalis – trumpet
George Bohanon – trombone
Jon Clarke – oboe
Alan Broadbent – music arrangements
John Clayton – music arrangements
David Foster – music and vocals arrangements
Johnny Mandel – music arrangements
Charles Floyd – music arrangements
Gordon Jenkins – original music arrangements
Clare Fischer – strings arrangements
Jerry Hey – horns arrangements
Janis Siegel – backing and harmony vocals
Al Schmitt – recording, mixing
Elliot Scheiner, Erik Zobler, Dave Reitzas – recording
Felipe Elgueta, Wayne Holmes, Henk Korff, John Patterson, Patrick Ulenberg – additional engineering
Jeffrey Demorris, Peter Doell, Koji Ejawa, Rob Frank, Barry Goldberg, John Hendrickson, Glenn Marchese, Eddie Miller, Charlie Paakkari, Rail Rogut, Robbes Stieglitz – engineer assistant
Gabrielle Raumberger – art direction
Emily Rich – design
Rocky Schenck – photography
Simon Ramone, Corrine Duke – production assistant
Shari Sutcliffe – project coordinator
Dick La Palm – liner notes
Track listing:
There’s a Lull in My Life – Mack Gordon, Harrye Revel
Stardust – Hoagy Carmichael, Mitchell Parish
Let’s Face the Music and Dance – Irving Berlin
Teach Me Tonight – Sammy Cahn, Gene de Paul
When I Fall in Love – Edward Heyman, Victor Young
What a Difference a Day Made – Stanley Adams, María Méndez Grever
Love Letters – Edward Heyman, Victor Young
He Was Too Good to Me – Lorenz Hart, Richard Rodgers
Dindi – Ray Gilbert, Antônio Carlos Jobim
Two for the Blues – Neal Hefti, Jon Hendricks
If Love Ain’t There – Johnny Burke
To Whom It May Concern – Nat King Cole, Charlotte Hawkins
Where Can I Go Without You? – Victor Young, Peggy Lee
Ahmad’s Blues – Ahmad Jamal. Bobby Williams
Pick Yourself Up – Dorothy Fields, Jerome Kern
If You Could See Me Now – Tadd Dameron, Carl Sigman
Like a Lover – Alan and Marilyn Bergman, Nelson Motta
This Morning It Was Summer – Bob Haynes
When I Fall in Love (Spanish version) – Victor Young, Edward Heyman
In February 1957, “ABC-Paramount” label released “This Is How I Feel About Jazz”, the second Quincy Jones album. It was recorded September 1956 – January 1957, at “Ballone Recording Studios” in New York City, and was produced by Creed Taylor.
Personnel:
Quincy Jones – conductor, arrangements
Gene Quill – alto saxophone
Phil Woods – alto saxophone
Zoot Sims, Lucky Thompson – tenor saxophone
Lucky Thompson, Bunny Bardach – tenor saxophone
Bill Perkins, Buddy Collette, Walter Benton – tenor saxophone
Pepper Adams – baritone sax
Jack Nimitz – baritone sax
Art Farmer, Bernie Glow, Ernie Royal, Joe Wilder – trumpet
Jimmy Cleveland, Urbie Green, Frank Rehak – trombone
In December 1958, “Vee-Jay” label released “The Swingin’est”, the eighth Bennie Green album. It was recorded in November 1958, at “Bell Sound Studios” in New York City, and was produced by Sid McCoy.
In December 1965, “Pacific Jazz” label released “Feelin’ Kinda Blues”, album by Gerald Wilson Orchestra (the sixth Gerald Wilson album overall). It was recorded November – December 1965, at “United Recorders” in Los Angeles, and was produced by Richard Bock.
Personnel:
Gerald Wilson – conductor, arrangements
Anthony Ortega – alto saxophone, flute, piccolo
Curtis Amy – soprano saxophone
Teddy Edwards, Harold Land – tenor saxophone
Jack Nimitz – baritone saxophone
Bobby Bryant, Jules Chaikin, Freddie Hill, Nat Meeks, Melvin Moore, Al Porcino – trumpet
Bob Edmondson, John Ewing, Lester Robertson – trombone
On April 8, 2022, “Third Man Records” label released “Fear of the Dawn”, the fourth Jack White studio album. It was recorded in 2021, at “Third Man Studio” in Nashville, and was produced by Jack White.
Personnel:
Jack White – vocals, acoustic and electric guitar, piano, drums, guitar, bass, synthesizers, percussion, theremin, vibraphone, samples, engineer, mixing
Duane Denison – rhythm guitar, guitar solo
Olivia Jean – acoustic rhythm guitar, electric guitar
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