On March 11, 1997, “Touch and Go” label released “Fake Can Be Just as Good”, the third Blonde Redhead studio album. It was recorded in October 1996, at “John & Stu’s” in Seattle, Washington, and was produced by John Goodmanson, Kazu Makino, Amadeo Pace and Simone Pace.
Personnel:
Kazu Makino – vocals, guitar
Amedeo Pace – vocals, guitar
Vern Rumsey – bass
Simone Pace – drums, keyboards
John Goodmanson – recording
John Siket – mixing
Howie Weinberg – mastering
Track listing:
All tracks by Kazu Makino, Amedeo Pace and Simone Pace.
On February 27, 2001, “Arkadia Jazz” label released “One Day, Forever”, the 31st Benny Golson album. It was recorded in November 1996, September 1999 and October 2000, at “Sandhausen Studios” in Germany, “Avatar Studios” and “Patrych Recording” in New York, “39th Street Music” in New York City, and was produced by Bob Karcy.
On February 25, 1997, “Kill Rock Stars” label released “Either/Or”, the third Elliot Smith studio album. It was recorded in 1996, and was produced by Elliot Smith, Tom Rothrock and Rob Schnapf. In 2013, “NME” magazine ranked Either/Or at number 149 on its list of the “500 Greatest Albums of All Time”, and in 2020, “Rolling Stone” magazine ranked the album at number 216 on its list of the “500 Greatest Albums of All Time”.
On February 21, 1996, “Baidis” label released “Interpieces Organization”, album by Haruomi Hosono and Bill Laswell. It was recorded in 1995, at “Quiet Lodge”, “Hanagebyoon Studio”, “Camouflage Studio” in Tokyo, and “Greenpoint Studios” in Brooklyn, “Meow Studio” in New York, and was produced by Bill Laswell and Haruomi Hosono.
On February 20, 1996, “Sub Meta” label released “Distill”, the fourth Bill Laswell issued under the moniker Divination. It was recorded in 1996 at “Greenpoint Studio” in Brooklyn, New York, and was produced by Bill Laswell, Anton Fier, Mick Harris, Haruomi Hosono, Tetsu Inoue, Thomas Köner, Pete Namlook and Paul Schütze.
Personnel:
Bill Laswell – instruments
Knox Chandler – guitar
Anton Fier – instruments, mastering
Mick Harris – instruments
Haruomi Hosono – instruments
Tetsu Inoue – instruments
Thomas Köner – instruments
Pete Namlook – instruments
Paul Schütze – instruments
Bruce Calder – engineer
Robert Musso – engineer, mastering
Aldo Sampieri – design
Track listing:
Green Evil – Paul Schütze
Subharmonic Invocation of the Dark Spirit – Pete Namlook
On September 24, 1996, “Bar / Non Records” label released “Blanket Warm”, the debut Lullaby for the Working Class studio album. It was recorded December 1994 – April 1996, at “Whoopass Recording Studio” at Lincoln, Nebraska.
Personnel:
Ted Stevens – vocals, guitar
Mike Mogis – guitar, banjo, mandolin, glockenspiel, recording, mixing
On September 3, 1996, “Capitol” label released “Venus Isle”, the third Eric Johnson studio album. It was recorded in 1996, at “Saucer One Studio” and “Arlyn Studios” in Austin, Texas, “A&M Studios” in Hollywood, “Digital Services Recording”, “Rocket Ranch Studios” in Houston, “Reelsound Recording Company” in Buda, Texas, and was produced by Eric Johnson and Richard Mullen.
Personnel:
Eric Johnson – lead vocals, guitar, guitarsynthesizer, synthesizer, piano, electric sitar, arrangements, engineer
Amit Chatterjee – vocals
Christopher Cross – vocals
Jimmie Vaughan – additional guitar
Steve Barber – synthesizer, Hammond B3, arrangements
Kyle Brock – bass, arrangements
Roscoe Beck – bass, engineering
Chris Maresh – bass
Tommy Taylor – drums, percussion, arrangements
Bill Maddox – drums, engineer
James Fenner – percussion
Chris Searles – percussion
Richard Kilmer – strings
Bruce Williams – strings
Jennifer Bourianoff – strings
Anthony Stogner – strings
Scott McIntosh – trumpet
Track listing:
All tracks by Eric Johnson, except where noted.
Venus Isle
Battle We Have Won
All About You
S.R.V.
Lonely in the Night – Vince Mariani
Manhattan
Camel’s Night Out – Kyle Brock, Mark Younger-Smith
Song for Lynette
When the Sun Meets the Sky – Johnson, Steve Barber
On September 2, 1996, “Virgin” label released “Universal”, the tenth Orchestral Manoeuvres in the Dark studio album. It was recorded 1995 -1996, at “The Townhouse” and “Metropolis” in London, and was produced by Andy McCluskey, Matthew Vaughan and David Nicholas.
Personnel:
Andy McCluskey – vocals, keyboards, production, mixing
Matthew Vaughan – keyboards, guitar, piano, bass
Phil Spalding – bass, backing vocals
Chuck Sabo – drums, percussion
Jimmy Taylor – guitar
Anne Dudley – string arrangements
Richard Allen Singers – vocals
Breda Dunne – backing vocals
Hannah Clive – backing vocals
Carol Kenyon – backing vocals
Maggie Keane – backing vocals
David Nicholas – engineer, mixing
Gregg Jackman – mixing
Julie Gardner – engineer, assistant engineer
Neil Tucker – assistant engineer
Track listing:
All tracks by Andy McCluskey, except where noted.
Universal
Walking on the Milky Way – Andy McCluskey, Nigel Ipinson, Keith Small
The Moon & the Sun – Andy McCluskey, Karl Bartos
The Black Sea – Andy McCluskey, Stuart Kershaw
Very Close to Far Away – Paul Humphreys, Andy McCluskey
The Gospel of St. Jude
That Was Then
Too Late – Andy McCluskey, Stuart Kershaw
The Boy from the Chemist Is Here to See You
If You’re Still in Love with Me – Paul Humphreys, Andy McCluskey, Stuart Kershaw
On August 28, 1996, “Infectious Records” label released “Still Life”, the debut Paradise Motel (The) album. It was recorded in 1996, in Melbourne, and was produced by Mérida Sussex, Matt Aulich, BJ Austin, Charles Bickford, Matt Bailey and Tim O’Shannassy.