On October 21, 1975, “Asylum” label released “Nighthawks at the Diner”, the third Tom Waits studio album. It was recorded in July 1975, at “Record Plant” in Los Angeles, and was produced by Bones Howe.
Personnel:
Tom Waits – vocals, piano, guitar
Mike Melvoin – piano, electric piano, guitar
Jim Hughart – upright bass
Bill Goodwin – drums
Pete Christlieb – tenor saxophone
Track listing:
All tracks by Tom Waits, except where noted.
Opening Intro
Emotional Weather Report
Intro
On a Foggy Night
Intro
Eggs and Sausage (In a Cadillac with Susan Michelson)
Intro
Better Off Without a Wife
Nighthawk Postcards (From Easy Street)
Intro
Warm Beer and Cold Women
Intro
Putnam County
Spare Parts I (A Nocturnal Emission) – Tom Waits, Chuck E. Weiss
In October 1964, “Pacific” label released “For Django”, the fifth Joe Pass album. It was recorded in 1964, at “Pacific Jazz Studios” in Hollywood, and was produced by Richard Bock.
On September 24, 1996, “Elektra” label released “Stardust”, the 15th Natalie Cole album. It was recorded June – September 1996, at “Ocean Way Recording”, “Capitol Studios”, “Conway Studios” and “LeGonks West” in Hollywood, “Record Plant” in Los Angeles, “Chartmaker Studios” in Malibu, California, “The Hit Factory” and “Sony Music Studios” in New York, “The Shire” in Bedford, New York, “Wisseloord Studios” in Hilversum, Netherlands, and was produced by George Duke, David Foster, Phil Ramone and Natalie Cole. At the 39th “Grammy Awards”, Natalie Cole won the “Grammy Award for Best Pop Collaboration with Vocals” for the song “When I Fall in Love”, a duet with Nat King Cole. The song also won the “Grammy Award for Best Instrumental Arrangement with Accompanying Vocal(s)” for arrangers Alan Broadbent and David Foster.
Personnel:
Natalie Cole – lead and backing vocals, vocal and music arrangements, album concept, executive producer
Nat King Cole – lead vocals, Hammond B3 organ
John Chiodini – guitar, acoustic guitar
John Pizzarelli – guitar
Paul Jackson Jr. – electric guitar
Lee Ritenour – guitar
Terry Trotter – acoustic piano, Fender Rhodes, keyboards
Michael Lang – acoustic piano
Rob Mounsey – acoustic piano, keyboards, music arrangements
George Duke – acoustic piano, keyboards, vibraphone, music arrangements, horn arrangements, vocals arrangements
Bob James – keyboards, acoustic piano, music arrangements
Toots Thielemans – harmonica
Jim Hughart – bass, music arrangements
Chuck Domanico – bass
David Finck – bass
Reggie Hamilton – bass
Chuck Berghofer – bass
Nathan East – bass
Harold Jones – drums
Ralph Penland – drums
Chris Parker – drums
John Guerin – drums
John Robinson – drums
Harvey Mason – drums
Bashiri Johnson – percussion
Paulinho da Costa – percussion
Rafael Padilla – percussion
Dan Higgins – saxophone
Everette Harp – alto saxophone
Michael Brecker – saxophone
Wynton Marsalis – trumpet
George Bohanon – trombone
Jon Clarke – oboe
Alan Broadbent – music arrangements
John Clayton – music arrangements
David Foster – music and vocals arrangements
Johnny Mandel – music arrangements
Charles Floyd – music arrangements
Gordon Jenkins – original music arrangements
Clare Fischer – strings arrangements
Jerry Hey – horns arrangements
Janis Siegel – backing and harmony vocals
Al Schmitt – recording, mixing
Elliot Scheiner, Erik Zobler, Dave Reitzas – recording
Felipe Elgueta, Wayne Holmes, Henk Korff, John Patterson, Patrick Ulenberg – additional engineering
Jeffrey Demorris, Peter Doell, Koji Ejawa, Rob Frank, Barry Goldberg, John Hendrickson, Glenn Marchese, Eddie Miller, Charlie Paakkari, Rail Rogut, Robbes Stieglitz – engineer assistant
Gabrielle Raumberger – art direction
Emily Rich – design
Rocky Schenck – photography
Simon Ramone, Corrine Duke – production assistant
Shari Sutcliffe – project coordinator
Dick La Palm – liner notes
Track listing:
There’s a Lull in My Life – Mack Gordon, Harrye Revel
Stardust – Hoagy Carmichael, Mitchell Parish
Let’s Face the Music and Dance – Irving Berlin
Teach Me Tonight – Sammy Cahn, Gene de Paul
When I Fall in Love – Edward Heyman, Victor Young
What a Difference a Day Made – Stanley Adams, María Méndez Grever
Love Letters – Edward Heyman, Victor Young
He Was Too Good to Me – Lorenz Hart, Richard Rodgers
Dindi – Ray Gilbert, Antônio Carlos Jobim
Two for the Blues – Neal Hefti, Jon Hendricks
If Love Ain’t There – Johnny Burke
To Whom It May Concern – Nat King Cole, Charlotte Hawkins
Where Can I Go Without You? – Victor Young, Peggy Lee
Ahmad’s Blues – Ahmad Jamal. Bobby Williams
Pick Yourself Up – Dorothy Fields, Jerome Kern
If You Could See Me Now – Tadd Dameron, Carl Sigman
Like a Lover – Alan and Marilyn Bergman, Nelson Motta
This Morning It Was Summer – Bob Haynes
When I Fall in Love (Spanish version) – Victor Young, Edward Heyman
On September 13, 1973, “DiscReet” label released “Look at the Fool”, the ninth and final Tim Buckley studio album. It was recorded in 1973, at “Wally Heider” and “Record Plant” in Los Angeles, and was produced by Joe Falsia.
Personnel:
Tim Buckley – vocals, guitar
Joe Falsia – guitar, bass guitar, arrangements
Mike Melvoin – organ, piano, Moog synthesizer
Mark Tiernan – electric piano
Jim Fielder, Jim Hughart, Chuck Rainey – bass guitar
Earl Palmer – drums
King Errisson – congas
Gary Coleman – percussion
Terry Harrington – horn, saxophone
David Bluefield – clavinet
Richard Nash, William Peterson, John Rotella, Anthony Terran – horn
On August 6, 1992, “Laser Light Digital” label released “Six-String Santa”, the 58th Joe Pass album. It was recorded in February 1992, at “Sage & Sound Studios” in Hollywood, and was produced by Ralph Jungheim.
Personnel:
Joe Pass – guitar, arrangements
John Pisano – rhythm guitar
Jim Hughart – acoustic bass
Colin Bailey – drums
Bill Lightner – editing, mastering
James Mooney – engineer
Jerry Wood – second engineer
Leonard Feather – liner notes
Track listing:
Let It Snow, Let It Snow, Let It Snow – Sammy Cahn, Jule Styne
(There’s No Place Like) Home for the Holidays – Robert Allen, Al Stilman
White Christmas – Irving Berlin
God Rest Ye Merry Gentlemen – traditional
O Christmas Tree – traditional
Angels We Have Heard on High/Joy to the World – traditional
Happy Holiday Blues – Joe Pass
It Came Upon a Midnight Clear – Edmund Sears, Richard Storrs Willis
Santa Claus Is Coming to Town – J. Fred Coots, Haven Gillespie
Have Yourself a Merry Little Christmas – Hugh Martin, Ralph Blane
On July 23, 1991, “Polygram do Brazil Ltda” label released “João”, the 30th João Gilberto album. It was recorded in 1991, and was produced by Mayrton Bahia.
Personnel:
Joao Gilberto – vocal, guitar
Clare Fischer– keyboards, string arrangements
Jim Hughart– acoustic bass
Joe Correro – drums
Michito Sanchez – percussion
Track listing:
Eu Sambo Mesmo (I Really Samba) – Janet Almeida
Siga (Go On) – Fernando Lobo, Helio Guimarães
Rosinha – (Little Rose) – Jonas Silva
Málaga – Fred Bongusto
Una Mujer (A Woman) – Paul Misraki, S. Pontal Riso, C. Olivare
Eu e Meu Coração (My Heart and I) – Inaldo Vilarinho, Antonio Botelho
You Do Something to Me – Cole Porter
Palpite Infeliz (Unhappy Remark) – Noel Rosa
Ave Maria no Morro (Ave Maria on the Hill) – Herivelto Martins
Sampa – Caetano Veloso
Sorriu pra Mim (Smiled at Me) – Garoto, Luiz Claudio
Que Reste-t-il de Nos Amours (I Wish You Love) – Charles Trenet, Leon Chauliac
In October 1974, “Asylum” label released “The Heart of Saturday Night”, the second Tom Waits studio album. It was recorded in 1974, and was produced by Bones Howe. In 2003, “Rolling Stone” magazine ranked the album at number 339 on its list of the “500 Greatest Albums of All Time”.
Personnel:
Tom Waits– vocals, piano, guitar
Jim Hughart– double bass
Jim Gordon– drums
Pete Christlieb– tenor saxophone
Bob Alcivar– arranger
Bones Howe– engineer
Geoff Howe – engineer
Terry Dunavan – mastering
Cal Schenkel– art direction
Lyn Lascaro – illustrations
Scott Smith – photography
Track listing:
All tracks by Tom Waits.
New Coat of Paint
San Diego Serenade
Semi Suite
Shiver Me Timbers
Diamonds on My Windshield
(Looking for) The Heart of Saturday Night
Fumblin’ with the Blues
Please Call Me, Baby
Depot, Depot
Drunk on the Moon
The Ghosts of Saturday Night (After Hours at Napoleone’s Pizza House)
In September 1980, “Asylum” label released “Heartattack and Vine” , the sixth Tom Waits studio album. It was recorded June – July 1980, at “Filmways/Heider Studio B” in Hollywood, and was produced by Bones Howe.
Personnel:
Tom Waits – vocals, electric guitar, piano
Roland Bautista– electric guitar, twelve-string guitar
Ronnie Barron– Hammond organ, piano
Michael Lang – piano
Jim Hughart – bass
Greg Cohen– bass
Larry Taylor– bass
“Big John” Thomassie – drums
Victor Feldman– percussion, chimes, glockenspiel
Plas Johnson– tenor saxophone, baritone saxophone
Bob Alcivar– string arrangement, orchestral arrangement, conductor
In September 1978, “Asylum” label released “Blue Valentine”, the fifth Tom Waits studio album. It was recorded July – August 1978, at “Filmways/Heider Recording” in San Francisco, and was produced by Bones Howe. The girl pictured with Waits on the back cover was Rickie Lee Jones.
Personnel:
Tom Waits – vocals, electric guitar, piano
Ray Crawford, Roland Bautista, Alvin “Shine” Robinson- electric guitar
Da Willie Gonga (George Duke), Harold Battiste- piano
Charles Kynard – organ
Scott Edwards, Jim Hughart, Byron Miller – bass
Rick Lawson, Earl Palmer, Chip White- drums
Bobbye Hall Porter- congas
Herbert Hardesty, Frank Vicari- tenor saxophone
Bob Alcivar- arrangmemts, orchestra conductor
Track listing:
All tracks by Tom Waits, except where noted.
Somewhere” (From West Side Story) – Leonard Bernstein, lyrics by Stephen Sondheim
On September 13, 1977, “Asylum” label released “Foreign Affairs”, the fourth Tom Waits studio album. It was recorded July – August 1977, and was produced by Bones Howe.
Personnel:
Tom Waits – vocals, piano
Bette Midler– vocals
Jim Hughart– bass
Shelly Manne– drums
Frank Vicari– tenor saxophone
Jack Sheldon– trumpet
Gene Cipriano – clarinet
Track listing:
All tracks by Tom Waits, except where noted.
Cinny’s Waltz
Muriel
I Never Talk to Strangers
Medley: Jack & Neal/California, Here I Come – California, Here I Come – Joseph Meyer, Al Jolsonand Buddy De Sylva
A Sight for Sore Eyes
Potter’s Field – lyrics by Tom Waits, music by Bob Alcivar