Tag Archives: Mark Dearnley

Toyah: The Changeling

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On June 7, 1982, “Safari” label released “The Changeling”, the fourth Toyah album. It was recorded 1981 – 1982, and was produced by Steve Lillywhite.

Personnel:

  • Toyah Willcox – vocals, noises
  • Joel Bogen – vocals, guitar, additional keyboards
  • Andy Clark – keyboards
  • Phil Spalding – vocals, bass
  • Simon Phillips – drums, percussion
  • Simon Darlow – additional keyboards
  • Nigel Bennett – backing vocals
  • Phil Smith, Vince Sullavan, Dave Lord – brass
  • Mark Dearnley – engineer
  • Ashley Howe – additional engineering
  • Neil Hutchinson – assistant engineer, tape operator

Track listing:

All tracks by Toyah Willcox and Joel Bogen, except where noted.

  1. Creepy Room
  2. Street Creature
  3. Castaways
  4. The Druids
  5. Angel & Me
  6. The Packt
  7. Life in the Trees
  8. Dawn Chorus – Toyah Willcox, Joel Bogen, Phil Spalding
  9. Run Wild, Run Free
  10. Brave New World

A Flock of Seagulls: Same

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On April 30, 1982, “Jive” label released the self-titled, debut A Flock of Seagulls album. It was recorded in 1981, at “Battery Studios”, and was produced by Mike Howlett and Bill Nelson. In 1983, the album track “D.N.A.” won a “Grammy Award” for “Best Rock Instrumental Performance”.

Personnel:

  • Mike Score – lead vocals, keyboards, additional rhythm guitar
  • Paul Reynolds – lead and rhythm guitar, backing vocals
  • Frank Maudsley – bass guitar, backing vocals
  • Ali Score – drums, percussion
  • Mark Dearnley – engineer
  • Mike Shipley – engineer
  • “BillBo” – mastering

Track listing:

All tracks by Mike Score, Ali Score, Frank Maudsley and Paul Reynolds.

  1. Modern Love is Automatic
  2. Messages
  3. I Run (So Far Away)
  4. Space Age and Love Song
  5. You Can Run
  6. Telecommunications
  7. Standing in the Doorway
  8. Don’t Ask Me
  9. D.N.A.
  10. Tokyo
  11. Man Made

AC/DC: Fly on the Wall

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On June 28, 1985, “Albert Production” label released “Fly on the Wall”, the tenth AC/DC studio album. It was recorded October 1984–February 1985, at “Mountain Studios” in Montreux, Switzerland, and was produced by Angus Young and Malcolm Young. The album was certified Platinum in US by “RIAA”.

Personnel:

  • Brian Johnson– lead vocals
  • Angus Young– lead guitar
  • Malcolm Young– rhythm guitar, backing vocals
  • Cliff Williams– bass guitar, backing vocals
  • Simon Wright– drums, percussion
  • Mark Dearnley – engineer
  • Bob Defrin – art director
  • Todd Schorr– cover illustration

Track listing:

All tracks by Malcolm Young, Angus Young and Brian Johnson.

  1. Fly on the Wall
  2. Shake Your Foundations
  3. First Blood
  4. Danger
  5. Sink the Pink
  6. Playing With the Girls
  7. Stand Up
  8. Hell of High Water
  9. Back in Business
  10. Send for the Man

Haircut One Hundred: Pelican West

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In February 1982, “Arista” label released “Pelican West”, the debut Haircut One Hundred album. It was recorded 1981 – 1982, at “Roundhouse Studios” in London, and was produced by Bob Sargeant.

Personnel:

  • Nick Heyward- vocals, lead and rhythm guitar
  • Graham Jones – guitar
  • Les Nemes- bass guitar
  • Blair Cunningham– drums
  • Marc Fox – congas, percussion
  • Phil Smith – saxophone, brass arrangements
  • Herschel Holder, Dave Lord – trumpet
  • Vince Sullivan – trombone
  • Mark Dearnley, Dave Kemp – engineer
  • David Shortt – art direction
  • Peter Hill – sleeve art
  • Gered Mankowitz- photography

Track listing:

All tracks by Nick Heyward, except where noted.

  1. Favourite Shirts (Boy Meets Girl)
  2. Love Plus One
  3. Lemon Firebrigade
  4. Marine Boy
  5. Milk Film
  6. Kingsize (You’re My Little Steam Whistle)
  7. Fantastic Day
  8. Baked Bean
  9. Snow Girl
  10. Love’s Got Me in Triangles – Nick Heyward, Les Nemes
  11. Surprise Me Again
  12. Calling Captain Autumn

Mother Love Bone: Apple

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On July 19, 1990, “Stardog” label released “Apple”, the only Mother Love Bone album. It was recorded September – November 1989, at “The Plant” in Sausalito, in California, “London Bridge Studios” in Seattle, and was produced by Bruce Calder, Terry Date, Mark Dearnley, Andrew Wood, Bruce Fairweather, Stone Gossard, Jeff Ament and Greg Gilmore.

Personnel:

  • Andrew Wood– lead vocals, piano
  • Bruce Fairweather– lead guitar
  • Stone Gossard– rhythm guitar
  • Jeff Ament– bass
  • Greg Gilmore– drums
  • Dennis Herring, Davitt Sigerson– pre-production
  • Scott Blockland – engineer assistant
  • Tim Palmer– mixing
  • Denny Swofford – mixing assistant
  • Bob Ludwig– mastering
  • Klotz – design
  • Lance Mercer – photography
  • Kaylin Frank – production coordination

Track listing:

All lyrics written Andrew Wood. All music by Jeff Ament, Bruce Fairweather, Greg Gilmore, Stone Gossard and Andrew Wood.

  1. This Is Shangrila
  2. Stardog Champion
  3. Holy Roller
  4. Bone China
  5. Come Bite the Apple
  6. Stargazer
  7. Heartshine
  8. Captain Hi-Top
  9. Man of Golden Words
  10. Capricorn Sister
  11. Gentle Groove
  12. Danny Boy
  13. Crown of Thorns

The Beat: Wha’ppen?

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In June 1981, “Go Feet” label released “Wha’ppen?”, the second Beat (The) album. It was recorded in 1981, at “Roundhouse Studios” in London, and was produced by Bob Sargeant.

Personnel:

  • Dave Wakeling– vocals, guitar, design
  • Ranking Roger– vocals, design
  • Andy Cox– guitar, design
  • David Steele– bass, design
  • Everett Morton– drums, design
  • Saxa– saxophone, design
  • Dave “Blockhead” Wright – keyboards
  • “Have a Go Bobby” Sargeant – marimba
  • Cedric Myton– extra vocals
  • Dick – steel drum
  • Saltin – trumpet
  • Mark Dearnley– engineer
  • Hunt Emerson – design

Track listing:

All tracks by Dave Wakeling, Ranking Roger, Andy Cox, David Steele, Everett Morton and Saxa, except where noted.

  1. Doors of Your Heart – Dave Wakeling, Ranking Roger, Andy Cox, David Steele, Everett Morton, Saxa, Colin Osborne
  2. All Out to Get You
  3. Monkey Murders
  4. I Am Your Flag
  5. French Toast (Soleil Trop Chaud) – Joseph Jefferson
  6. Drowning
  7. Dream Home in NZ
  8. Walk Away
  9. Over and Over
  10. Cheated
  11. Get-a-Job
  12. The Limits We Set