In August 1978, “Chrysalis” label released “Caravan to Midnight”, the sixth Robin Trower studio album. It was recorded in 1978, at “Wally Heider Recording Studio” in Los Angeles, and was produced by Don Davis.
Personnel:
Robin Trower – guitar
James Dewar – vocals
Rustee Allen – bass
Bill Lordan – drums
Paulinho da Costa – percussion
Pete Ellis Bishop – engineer
Chris Desmond, Ralph Osborn – engineer assistant
Hipgnosis – art direction
George Hardie – illustration, design
Track listing:
All tracks by James Dewar and Robin Trower except where noted
On August 25, 1981, “Columbia” label released “Scissors Cut”, the fifth Art Garfunkel studio album. It was recorded October 1980 – May 1981, at “Media Sound” in New York City, “Wally Heider Studios” in Los Angeles, “Criteria Studios” in Miami, and was produced by Roy Halle, Art Garfunkel and Mike Batt.
Personnel:
Art Garfunkel – vocals
Pete Carr, Dean Parks, Michael Staton, Graham Lyle, Chris Spedding – guitar
Paul Simon, Andrew Gold – guitar, backing vocals
Jeffrey Staton – guitar, backing vocals
John Jarvis – piano
Jimmy Webb, Larry Knechtel – keyboards
Rob Mounsey, Michael Boddicker – synthesizer
Joe Osborn, Tony Levin, Scott Chambers – bass guitar
Rick Shlosser, Rick Marotta – drums
Ray Cooper, Errol “Crusher” Bennett – percussion
Tommy Vig – vibraphone, backing vocals
Lew Soloff – flugelhorn, trumpet
Michael Brecker – tenor saxophone
David Campbell – strings
Del Newman – strings
Roland Harker – lute
Teo Macero – conductor
Lisa Garber, Leah Kunkel – backing vocals
Eugene Orloff – concertmaster
Roy Halee – engineer
Terry Rosiello – mixing
Greg Calbi – mastering
John Berg – design
Anthony Loew – artwork
Track listing:
A Heart in New York – Benny Gallagher, Graham Lyle
Scissors Cut – Jimmy Webb
Up in the World – Clifford T. Ward
Hang On In – Norman Sallitt
So Easy to Begin – Jules Shear
Bright Eyes – Mike Batt
Can’t Turn My Heart Away – John Jarvis, Eric Kaz
The French Waltz – Adam Mitchell
In Cars – Jimmy Webb
That’s All I’ve Got to Say (Theme from The Last Unicorn) – Jimmy Webb
On August 15, 1989, “RCA” label released “Love Among the Cannibals”, the third Starship album. It was recorded 1988 – 1989, at “ Studio 55” in Hollywood, “Record Plant Studios” and “Studio D” in Sausalito, “Different Fur” in San Francisco, “The Kiva” and “Soundcastle” in Los Angeles, “Fantasy Studios” in Berkeley, and “Maison Rouge” in London, and was produced by Mike Shipley, Larry Klein, Phil Galdston, Tom Lord-Alge, Mickey Thomas, Arne Frager, Craig Chaquico, Mark Morgan, Brett Bloomfield and Donny Baldwin.
Personnel:
Mickey Thomas – vocals
Craig Chaquico – guitars
Mark Morgan – keyboards
Brett Bloomfield – bass, backing vocals
Donny Baldwin – drums, backing vocals
Greg Shaw – electronics, trumpet
Pete Woodroffe – electronics
Sammy Merendino – electronics
Collyer Spreen – electronics
Michael Landau – additional rhythm guitar
Larry Klein – Fairlight programming
Robert John “Mutt” Lange – backing vocals
Tommy Funderburk – additional backing vocals
Chris Thompson – additional backing vocals
Jeff Pescetto – additional backing vocals
Tom Lord-Alge – additional backing vocals, engineer, mixing
Larry Klein – arrangements
Robert John “Mutt” Lange – arrangements
Mike Shipley – engineer, mixing
Arne Frager – engineer
Stephan Benben – engineer
Pete Woodroffe – additional engineering
Rob Beaton – additional engineering, assistant engineer
Tony Phillips – additional engineering
Mark Slagle – engineer assistant
Julie Last – engineer assistant
Randy Wine – engineer assistant
Greg Laney – engineer assistant
Tom Sadzeck – engineer assistant
Michael Semanick – engineer assistant
Greg Wilkinson – engineer assistant
Paula “Max” Garcia – engineer assistant
Jim “Watts” Vereecke – engineer assistant
Tom Size – engineer assistant
Michael Rosen – engineer assistant
Paul Lani – mixing
Joe Fiorello – mixing assistant
Ria Lewerke – creative director
Norman Moore – art direction, design
Taylor King – photography
Track listing:
The Burn – Martin Page, Bernie Taupin
It’s Not Enough – Martin Page, Tommy Funderburk
Trouble in Mind – Joel Feeny, Tim Thorney, Rachel Oldfield
I Didn’t Mean to Stay All Night – Robert John Lange
Send a Message – Mickey Thomas, Mark Morgan, Steve Diamond
Wild Again – John Bettis, Michael Clark
Love Among the Cannibals – Mickey Thomas, Mark Morgan
Dream Sequence / We Dream in Color – Mark Morgan, Mickey Thomas, Phil Galdston
Healing Waters – Martin Page
Blaze of Love – Chris Thompson, John Van Tongeren, Phil Galdston
I’ll Be There – Mickey Thomas, Craig Chaquico, Steve Diamond
On August 12, 2003, “Bel Chiasso” label released “Go”, the eleventh Pat Benatar studio album. It was recorded 2002 – 2003, at “Spyder’s Soul Kitchen” and “Rumbo” in Los Angeles, and was produced by Neil Giraldo.
Personnel:
Pat Benatar – vocals
Neil Giraldo – guitars, keyboards, bass, backing vocals, strings arrangements
Mick Mahan – bass
Ray Brinker, Denny Fongheiser, Dave Karasony, Matt Laug – drums, percussion
Chris Fuhrman, Spyder Whitehorse – engineer, digital editing
Barry Rudolph – engineer, mixing
Steve Hall – mastering
Jeff Worrell – digital editing
Track listing:
All tracks by Pat Benatar and Neil Giraldo, except where noted.
On August 5, 2014, “Dine Alone Records” and “Universal Music Canada” labels released “High Noon”, the third Arkells studio album. It was recorded in 2013, at “The Hobby Shop” in Los Angeles, and was produced by Tony Hoffer.
Personnel:
Max Kerman – lead vocals, guitar
Micheal DeAngelis – vocals, guitar
Anthony Carone – vocals, keyboards, strings, arranger
Nick Dika – bass guitar
Tim Oxford – drums, percussion
Leland Whitty – tenor saxophone
Dana Grey – baritone saxophone
Ernesto Barahona – trombone
Christine Chesebrough – violin
Kelly Lefaive – violin
Emma Vachon-Tweeny – viola
Igor Saika-Voivod – cello, score, conductor
Cameron Lister – recording
Tony Hoffer – mixing
Eric Ratz – engineer, mixing
Harry Hess – mastering
Micheal DeAngelis – design
Brooks Reynolds – photography
Track listing:
All tracks by Max Kerman, Micheal DeAngelis, Anthony Carone, Nick Dika and Tim Oxford.
On August 2, 1988, “Warner Bros” label released “Let It Roll”, the eighth Little Feat studio album. It was recorded in 1988, at “The Complex” in Los Angeles, and was produced by George Massenburg and Bill Payne.
Personnel:
Paul Barrère – vocals, guitar
Fred Tackett – guitar, mandolin, trumpet
Craig Fuller – vocals, button accordion, guitar
Bill Payne – vocals, keyboards
Kenny Gradney – bass guitar
Richie Hayward – vocals, drums
Sam Clayton – vocals, percussion
Renée Armand – vocals
Marilyn Martin – vocals
Shaun Murphy – vocals
Bonnie Raitt – vocals
Linda Ronstadt – vocals
Bob Seger – vocals
George Massenburg – recording, mixing
Sharon Rice, Kenny Fowler – engineer assistant
Ivy Skoff – production coordinator
Edd Kolakowski – piano technician
Neon Park – design
Track listing:
Hate to Lose Your Lovin’ – Paul Barrere, Craig Fuller
One Clear Moment – Paul Barrere, Craig Fuller, Bill Payne
Cajun Girl – Martin Kibbee, Bill Payne
Hangin’ on to the Good Times – Paul Barrere, Craig Fuller, Bill Payne, Fred Tackett
Listen to Your Heart – Craig Fuller, Bill Payne
Let it Roll – Paul Barrere, Martin Kibbe, Bill Payne
Long Time till I Get Over You – Paul Barrere, Craig Fuller
Business as Usual – Paul Barrere, Craig Fuller, Bill Payne
Changin’ Luck – Craig Fuller, Bill Payne, Fred Tackett
Voices on the Wind – Paul Barrere, Craig Fuller, Bill Payne, Fred Tackett
On July 31, 2020, “Roadrunner Records” label released “Sex, Death & the Infinite Void”, the second Creeper studio album. It was recorded in 2019, at “WAX LTD Studios” in Los Angeles, “The Firepit” in London, “The Ranch Production House” in Southampton, and was produced by Xandy Barry.
Personnel:
Will Gould – lead vocals
Ian Miles – guitar
Oliver Burdett – guitar
Sean Scott – bass
Hannah Greenwood – keyboards, backing vocals
Dan Bratton – drums
Patricia Morrison – voice
Xandy Barry – orchestra arrangements, programming, engineer, mixing
Timothy Williams – orchestral arrangements, programming
Andrew Lappin – engineer
Richard Woodcroft – engineer
Redah Haddioui – engineer, mixing assistant
Wally Gagel – mixing
Spike Stent – mixing
Matt Wolach – mixing assistant
Pete Lyman – mastering
Stuart Hawkes – mastering
Andy Pritchard – layout
Demon Dance – design
Billy Howard Price – photos
Track listing:
Hallelujah – Will Gould, Hannah Greenwood
Be My End – Will Gould, Ian Miles, Matt Reynolds
Born Cold – Will Gould, Ian Miles, Neil Kennedy
Cyanide – Will Gould, Xandy Barry
Celestial Violence – Will Gould, Hannah Greenwood
Annabelle – Will Gould, Ian Miles, Xandy Barry
Paradise – Will Gould, Xandy Barry
Poisoned Heart – Will Gould, Ian Miles, Xandy Barry
Thorns of Love – Will Gould, Ian Miles
Four Years Ago – Will Gould, Hannah Greenwood, Xandy Barry
Holy War – Will Gould, Hannah Greenwood
Napalm Girls – Will Gould, Ian Miles, Hannah Greenwood
The Crown of Life – Will Gould, Hannah Greenwood
Black Moon – Will Gould, Ian Miles, Hannah Greenwood
All My Friends – Will Gould
Be More Careful with Your Heart – Will Gould, Hannah Greenwood
In July 1974, “Warner Bros” label released “Lydia”, the fifth Cold Blood album. It was recorded in 1974, at “Trans-Maxiumus Sound Studios, Inc.” in Memphis, and “Clover Recorders” in Los Angeles, and was produced by Steve Cropper.
Personnel:
David Luell – alto, tenor and baritone saxophone, arranger
On July 24, 1990, “Polydor” label released “Goodnight L.A.”, the eighth Magnum studio album. It was recorded 1989 – 1990, at “Goodnight L.A. Studios” in Los Angeles, and was produced by Keith Olson.
Personnel:
Bob Catley — vocals
Tony Clarkin — guitar
Mark Stanway — keyboards
Wally Lowe — bass guitar
Mickey Barker — drums
Paulinho da Costa — percussion
Deric Dyer — saxophone
Tommy Funderburk — backing vocals
Michael Sadler — backing vocals
Tracking list:
All tracks by Tony Clarkin, except where noted.
Rockin’ Chair – Tony Clarkin, Russ Ballard
Mama
Only a Memory
Reckless Man
Matter of Survival – Tony Clarkin, Russ Ballard
What Kind of Love Is That – Tony Clarkin, Jim Vallance
On July 19, 2005, “Columbia” label released “Moonlight Serenade”, the fourth Carly Simon album of standards (19th album overall). It was recorded 2004 – 2005, at “Fox Force Five” in Hollywood, “Reagan’s Garage” and “Westlake Recorders” in Los Angeles, “The Cutting Room” in New York City, and was produced by Richard Perry.
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